Safety Not Guaranteed (2012)

 



Dir: Colin Treverrow
Writer: Derek Connolly
Starring: Aubrey Plaza, Mark Duplass, Jake Johnson

I saw this movie this past summer and it was quite the difference from the movie I'd seen earlier in the day -- Prometheus. However, I took to the small, independent, and heartfelt movie. It may also be because I love Mark Duplass in everything.

The movie is about a loner magazine intern who doesn't quite fit in with her surroundings, no matter what they might be. Plaza plays Darius with her usual acerbic wit, but the softer side of her was there, too. Her boss (Johnson) brings her along on his assignment to seek out the author of the 'Safety Not Guaranteed' ad (on the poster), and that's where we find Duplass as Kenneth, a slightly weirder loner, but one that Darius instantly connects with.

While the plot was a bit shallow--never diving too deep--the movie was enjoyable, especially the scenes betwen Darius and Kenneth. I was not as taken with Johnson's secondary plotline of finding an old love, but it makes sense with the themes of the movie.

The ending was probably the part that really got me. I liked the movie, but then the end had me grinning from ear to ear. It's not the year's best movie, but it might be its most feel-good. At least for me.

The Best: Mark Duplass. Because he's having quite a year, for good reason! See his other 2012 roster: Your Sister's Sister, Darling Companion, People Like Us, The League, The Mindy Project, Zero Dark Thirty.

 



Fact: The ad that the movie revolves around is a real ad that was run in a 1997 issue of Backwoods Home Magazine. It was a last-minute filler by a guy who worked at the magazine, and eventually circulated on television and the internet. In the movie, the original author of the ad makes a cameo as the first guy to open a PO box that Darius and her co-intern are watching.

Rating: ********* (9 out of 10)

Friends with Kids (2012)

Dir: Jennifer Westfeldt
Writers: Jennifer Westfeldt
Starring: Jennifer Westfeldt, Adam Scott, Maya Rudolph, Kristin Wiig, Scott O'Down, Jon Hamm

I saw this movie earlier this year in the theaters, but my thoughtful brother sent me the DVD as a birthday gift a couple of months ago.

I've been a huge fan of Jennifer Westfeldt since I saw Kissing Jessica Stein when I was in college, and a few years ago when I saw Ira & Abby. She wrote both of those movies, which are smart, funny, and not your run-of-the-mill rom-com or lady comedy. Friends with Kids is her directorial debut, and I liked it a lot, too.

Overall, this film is about three couples, two who are in romantic relationships and have kids, and another who are strictly platonic but decide to have kids due to the ol' biological clock and because they observe that kids can take all the romance out of a relationship. It can seem a bit winded when typing it all out. But the movie is funny and charming, while there are some things I have to ignore in order to like it, but that's the case with most films, isn't it? I think Westfeldt understands that her characters are not the most realistic or smart -- but there wouldn't be an interesting movie without these two best friends agreeing to a slightly kooky life plan. So, I have to suspend my disbelief, and Westfeldt puts in some great scenes to demonstrate that yeah, this is kind of crazy. The supporting cast (all plucked from Bridesmaids) are particularly great in these scenes.

Westfeldt and Adam Scott play off each other really well, and I love them both. You root for all the characters, and there are moments of sadness throughout, even though it's more of a comedy. I do like how odd and different the plot was from most movies out these days--it seemed more thoughtful--but the ending still seemed a little trite against the rest of the movie. I mean, I feel great that it all works out, but sometimes I want the characters to be challenged a little more!

The Best: When the other two disapproving couples come over to the new parents' apartment for the first time and think they're about to walk into a harried scene, but it ends up exactly the opposite. The outtakes on the gag reel from this scene are also hilarious.

Fact: Westfeldt's been dating co-star Jon Hamm in real life for over ten years. He had bit parts in all of her movies pre-Mad Men era!

Rating: ******** (8 out of 10)

Gentlemen Broncos (2009)

Dir: Jared Hess
Writers: Jared Hess, Jerusha Hess
Starring: Michael Angarano, Jemaine Clement, Sam Rockwell, Jennifer Coolidge

This is one weird movie. But I love it.

I remember seeing the trailer for it in a theater and thinking "well, that looks dumb." Cut to last year when my friends Jaime and Andrew had me over to their apartment and decided I needed to watch. They were reciting the lines during the movie, and then afterwards when we went to a bar they continued. Many lines are now inside jokes between friends; sometimes when I say bye to a friend in-the-know, I say "Remember who you are and what you stand for!" while flashing two metal signs, as Jennifer Coolidge's character says to her son Michael Angarano as she sends him off to a writing festival for homeschooled kids.

I digress.

The movie is about the Benjamin, living in the bland surroundings of Utah, much like director Jared Hess' previous film, Napoleon Dynamite. He's a teen sci-fi writer who has hopes for his first novel with a lead character named Bronco who fights evil on distant planets. The great hilarity of the film centers on the fact that his novel is played out on screen several times -- as his own version with Sam Rockwell as a long-haired, tough Bronco, as a version low-budget filmed by his friends, and as a version stolen and plagiarized by his idol, Chevalier (played so well by Jemaine Clement). In Chevalier's version, Bronco is now Brutus, and Sam Rockwell plays him as well, but this time in a pink suit, long blond hair, and lispy accent.

When you have Sam Rockwell saying lines like--"Oh my holy crap, surveillance does... I hate those. This is ridiculous, that's the most well guarded yeast factory I've ever seen!"--you know it's a different kind of movie. But Rockwell owns both characters and all their ridiculousness. If you haven't gotten it yet, this movie is absolutely crazy. And not everyone will like it, enjoy it, or even get why people are laughing at the random (and sometimes gross) jokes. But I did!

Proceed at your own risk. If you enjoyed this movie for what it is, we'd probably be friends.

The Best: Sam Rockwell, hands down. The guy puts everything into his roles no matter how weird. His tackling of two roles is the best part of the movie.

Fact: The opening credits have a series of fake sci-fi novels to showcase the stars. The cover artwork was created by acclaimed fantasy and science fiction artists Kelly Freas and David Lee Anderson.

Rating: ******** (8 out of 10)

Beginners (2011)

Dir: Mike Mills

Writer: Mike Mills

Starring: Ewan McGregor, Christopher Plummer, Mélanie Laurent

I enjoy the quietness of this film. The premise of the movie is simple: a father (Plummer) tells his son (McGregor) that he is gay after his wife dies. He's been gay his entire life. The son not only deals with learning this, but the fact that his father is sick as well. There's a bit of a love story in there, too. In this day and age where films with this kind of plot are usually filmed with the intention of reaping all the manipulative sentimentality they can, Beginners feels genuine and quiet and unassuming. It guides you through a personal story with an intimate lense.

Director Mike Mills accomplishes much with his simplicity. Aparently based on his own life and family, the movie makes my heart stir without making me squirm. Here's just a guy trying to figure it out; 'it' being life, and the guy being just like everyone else. It's sad and poignant but moving in a non-corny way (that says a lot if you know that there is a dog that McGregor talks to through the movie). It was my favorite film of 2011.

Christopher Plummer will surely go on to win an Academy Award for this; nobody else in the category holds a flame to his deep performance. I just wish it was recognized more for the great movie it is--it's just too quietly not tooting it's own horn, but for that I treasure this movie.

The Best: Christopher Plummer as Hal. I can't say more about his wonderful, admirable, and yes--quiet--performance.

Fact: Director Mills is married to writer/director/actor Miranda July in real life. Last summer she also released a film called The Future, which had a cat named Paw Paw that spoke as narrator. They both released movies with verbal pets! Beginners featured the dog Arthur's dialogue in subtitles.

Rating: ********** (10 out of 10)

(500) Days of Summer (2009)

Dir: Marc Webb
Writers: Scott Neustadter, Michael H. Weber
Starring: Joseph Gordon-Levitt, Zooey Deschanel

When I first saw (500) Days of Summer, I was fully prepared to write it off as a quirky rom-com without much to it. However, it surprised me in its clever storytelling and assessment of modern romance. More interestingly, the movie acts as a sort of Rorschach test.

The anonymous narrator says from the beginning: "The is a story about love, but this is not a love story."

The relationship of Tom and Summer spans 500 days, and because it is told through the eyes of Tom (with varying amounts of sad moments and funny, imaginary asides), the audience inevitably will root for him. Upon rewatching this, I realized how it really resonates with my generation more than it might with others. It's more than just the Smiths references - it's the fact that Tom builds a relationship on a girl liking "the same stupid crap" he does (Chloe Moretz playing his all-knowing little sister spouts truths throughout the movie).

Many relationships these days begin because of shared interests, but I get the feeling that finding a mutual, obscure band to bond over was not such a prevalent romantic inspiration until these more modern years. And in another part of the movie Tom blames greeting cards, pop music, and movies for leading him astray about romance - and that may be the most universal moment in the whole movie.

Because though Summer embarks on a sort-of relationship with Tom, from the beginning she tells him she does not believe in love, she does not want "anything serious," and when he asks her what they are doing later into their time together, she doesn't give in and tell him what he wants to hear. They continue on, and she breaks it off with him in a scene where she calls herself the Sid to his Nancy - the scene happens early on, and it's hilarious.

The writer Neustadter apparently based this in part on his own relationship, and cringingly calls her out in the opening credits. But the breakup scene happens early on because the movie carries it's audience back and forth between day (1) and (500). We see the promising beginnings to the bleak post-breakup days.

The movie is a Rorschach test because people opine so differently on who they relate to or side with. Some people come away with thinking Summer is a complete and total bitch and Tom is their dream guy. The movie does a good job of making these characters three-dimensional, because I don't think you can make any black-and-white decisions about these two personalities. And Summer, I believe, is so misconstrued as "the bitch" to some people, I can't grasp it - do people hate her character because they are Toms that have been done in by a pretty girl before? Do they not see all of her verbalized views of the non-relationship? Did they also watch The Graduate the way that Tom did in the movie?

Summer is not the villain here - there are no villains - but it's quite telling if someone watches this movie and makes her out to be the bad guy. That's someone that can't see what's right in front of them at all. They are missing the social cues. And Tom, for much of the time, does too. He's the romantic, she's the realist - and that's all there is to it. I think people get a little too caught up in the gender roles we normally see in film, and this movie turns it around.

Fortunately, that's what makes the movie layered and interesting. Not everybody who falls in love are meant to be together forever. Also, it's the prettiest I've ever seen Los Angeles, the editing is perfect, and the script entreats you to consider your own romantic dealings. Joseph Gordon-Levitt and Zooey Deschanel play the main characters wonderfully, and Webb (previously a music video director) makes a strong and beautifully shot feature-length directorial debut. (And bonus points for a GREAT soundtrack!)

The Best: Zooey's all blue-eyed beauty and adorableness, but Joseph Gordon-Levitt knocked it out the park with his emotional wavering between happy-dancing and all-out depression. (He also "knocks it out of the park" during some choreography in a hysterical song-and-dance number!)

Fact: I had noticed all the blue in the movie (particularly the outfits of all those dancers!), but apparently it was a director decision to do so in order to bring out the color of Ms. Deschanel's very blue eyes (which is very hard to miss!).

Rating: ********* (9 out of 10)