Moonrise Kingdom (2012)

Dir: Wes Anderson

Writers: Wes Anderson, Roman Coppola

Starring: Kara Hayward, Jared Gilman, Edward Norton, Bruce Willis, Frances McDormand, Bill Murray

I saw this earlier in 2012 the weekend it was in limited release (I love living in New York!), the day after being the maid of honor in my best friend's wedding. You could describe my best friend as whimsy and stylized in the same vein of Wes Anderson--she's a huge fan, of course. So it felt like a honor that on the weekend of her wedding, we were able to catch this movie, and that it turned out to be perfectly adorable, fun, and great.

The story of two young teenagers living on a fictitious little island off the coast of New England in 1965, Sam and Suzy are outcasts who find an attraction to each other as kids not accepted by their peers, adults, or their parents. Anderson's directing takes another step towards ultimate quirky sophistication, and I think he's grown considerably since his earlier works with this foray. His shots look like old '60s photographs as he pans across his characters.

I popped this in the player on New Year's Day--it was my first movie of 2013! It was a great way to welcome the new year, as I sat next to my husband delighted and laughing the whole time.

The Best: The moment Bill Murray takes off his shoe and throws it at Ed Norton's character is one of my favorites, but I have to give it to the leads Hayward and Gilman--from when they awkwardly meet each other to their 'playing house' on the beach.

Fact: The screenplay was just nominated for an Oscar for Best Original Screenplay!

Rating: ********** (10 out of 10)

The Princess Bride (1987)

 



Dir: Rob Reiner
Writers: William Goldman
Starring: Cary Elwes, Robin Wright, Mandy Patinkin, Wallace Shawn, Christopher Guest, Andre the Giant

A couple of months ago, my friend Jaime and I started watching Homeland and when Mandy Patinkin as Saul came on the screen I looked at her and said, "My name is Inigo Montoya! You killed my father, prepare to die!" Jaime stared back at me quizzically, and I understood the horrifying fact that she had never in her thirty five years of life seen The Princess Bride.

"Inconcievable!"

My dad happened to call me on that fateful night and also joined in my absolute astonishment. Since the following week was my birthday, he happened to send a copy of the DVD, since I had lamented my last one had been stolen (right off my DVD shelves!). I invited Jaime over recently to finally introduce her to Wesley, Princess Buttercup, and all the favorite lines I grew up with.

The movie really does stand the test of time; I remember watching it repeatedly as a kid (this, and Big). Watching it as a twenty-nine year old was just as enjoyable. Jaime and I laughed out loud, I slapped my knee a few times, I said the lines I remembered so well, I pointed out who the actors were to Jaime (that's Billy Crystal! That's Christopher Guest!), and we even thought of what a great group costume the characters of movie would make for Halloween. It was fun to rewatch it, and even more fun to watch it with someone seeing it for the first time.

The movie is a bit of a fantasy, but grounds itself with the storytelling of a grandfather (Peter Falk) to his grandson (Fred Savage). The script nor actors ever miss a beat, and the movie is a great adventure from start to finish. It defines the word enjoyable for a film!

The Best: Cary Elwes has never been as good as Wesley, though I still love Robin Hood: Men in Tights. I just love when he reveals himself to Princess Buttercup while falling down a cliff: "as youuuuu wiiiiiish!"

Fact: When Count Rugen hits Westley over the head, Cary Elwes told Christopher Guest to go ahead and hit him for real. Guest hit him hard enough to shut down production for a day while Elwes went to the hospital.

Rating: ********** (10 out of 10)

Closer (2004)

Dir: Mike Nichols
Writer: Patrick Marber
Starring: Natalie Portman, Julia Roberts, Jude Law, Clive Owen

Maybe the ultimate Rorschach test of a movie for all people. Or, specifically, in terms of men and women? The film has no redeemable characters. There's something amiss with each one. There's no saving here (thought it's discussed often) and there's no rising above the ugliness of humanity. It's because human behavior, especially in regards to romantic relationships, is ugly.

I decided to pluck this DVD out of my collection to view because I had just watched Who's Afraid of Virginia Woolf? via Netflix. I realized that they shared the same director, Mike Nichols, and as I watched Elizabeth Taylor and Richard Burton verbally spar, I was reminded of Closer and how it, too, portrayed verbally sparring relationships. Both are based on plays and centered on four people--two men, two women. They are both bleak films, but I'd say Closer is outrightly cold.

My husband completed a project while I watched Woolf and at the end all he could say was, "I wasn't paying attention but were those people all crazy? Like, they were in a looney bin, right?" After watching Closer with me, he remarked, "Well, that was the most depressing movie I've ever seen," and we discussed which character was the least-hated. We had differences of opinion there, and that's what leads me to think the movie is so uncomfortable for people to watch because these characters are awful--but inherently human, like the viewer. There may be slivers of your own behavior in Anna, Dan, Alice, and Larry...though I don't know any one who would admit ties.

All the actors are exceptional--I personally think Clive Owens' Larry to be the most remarkable performance. (Natalie Portman's Alice a close second!) He's an outrightly disgusting man: he's a doctor but he gets involved in online sex-chats at work, he uses brutal language and his presence is so visceral though he never moves a finger to hit anyone. But out of all four, he's the most honest character. But I do think he lies a few times, simply as a means to an end....in my own interpretation. Perhaps his fantastic acting was because Owens played the character in the original play; he nailed the simmering temper, the brash masculinity and disconcerting behavior of Larry. The other actors are great as well, but Larry was the most fun to watch. ('Fun' may be the wrong word...)

I hadn't watched this movie in my collection for years--I think probably because it does have a lasting psychological, depressing impact. I must have been in college the last time, which was a very different point in my life. Now that I'm married and, honestly, more secure about many things, including my relationship, I'm fascinated by the film in a completely new way. Again, this goes back to the way it acts as a Rorschach test. Days and weeks later, I'm still thinking about it. I wonder how I'll feel about it ten years from now?

The Best: There are so many great moments in the movie, it's hard to choose with the beautiful music playing over the slo-mo opening or Anna and Larry's marriage-breaking fight or Larry turning the screw deeper into Dan's pathetic psyche or Dan fixing upon a name on the wall or... okay, I will choose one: when Alice meets Dan at Anna's apartment and knowing that Dan has betrayed her, forces Anna to take a portrait of her in tears.

Fact: Casino Royale femme fatale Eva Green was originally going to make her Hollywood debut in this film as Alice, but she dropped out and the role went to Natalie Portman--who garnered a Best Supporting Actress nomination.

Rating: ********** (10 out of 10)

The Usual Suspects (1995)

Dir: Bryan Singer
Writer: Christopher McQuarrie
Starring: Kevin Spacey, Gabriel Byrne, Chazz Palminteri, Pete Postlethwait, Stephen Baldwin, Benicio del Toro, Kevin Pollack

There is probably no other movie that I've seen more than The Usual Suspects. I know the script by heart, the beats of the music as it coincides with a beat in the editing (coincidentally, I just found out the editor was also the composer on this movie - no wonder it works so beautifully!), and nearly every intricacy in the plot. I use the word 'nearly' because this movie is more rewatchable than any other movie: there's always something new to ascertain.

In fact, when I sat down to write this the line running through my head was when Verbal Kint looks up at Dave Kujan with his bad hand and says, "How do you shoot the devil in the back? What if you miss?" How am I supposed to write a review of one of my favorite movies of all time? How do I get it right?

For starters, my thirteen-year-old self watched the rented movie in the basement of our family's house in Leavenworth, Kansas. I remember following along raptly, sometimes confused, but always curious. When it ended, I was dumbfounded. I rewound it and watched it again. I probably said something to myself like "That was the best movie ever!" I saw this movie in the midst of my introduction to Hitchcock, and it makes sense since this movie has a very updated 'noir' feel to it. There's no icy blond, but there is something dark to unravel at hand.

Kevin Spacey gives one of the best performances of his career as Verbal Kint, and along with his other 1995-starring roles in Swimming with Sharks and Seven, I became a bonefied fan. For a time, there was nobody more chameleon-like than him. This movie also marks major debuts for director Bryan Singer and writer Christopher McQuarrie; unfortunately I don't think either of them have topped this masterpiece since.

This maze of a movie is taut, sometimes funny, and always mysterious. It also has one hell of a twist ending. It was great rewatching it with a friend who had never seen it (but the ending was spoiled for him). It still hasn't lost it's power nearly 17 years later (woah!), and because they keep on releasing different version with new extras, I currently own three copies of The Usual Suspects on DVD. Rewatchability is always a major factor for owning a DVD--I know I have some movies that have little rewatchability factor.

The Best: the final scene. It's perfect. And also? The eerie ghostlike presence when the name 'Keyser Soze' is uttered in the film. The lines are great! The art direction, too! The music! The editing! Fenster's unintelligible accent! Seriously, everything is great.

Fact: Al Pacino read for the part of Dave Kujan (Palminteri), but had to pass due to scheduling conflicts. Pacino has since noted that this is the film he regrets turning down the most.

Rating: ********** (10 out of 10)

Before Sunset (2004)

Dir: Richard Linklater
Writers: Julie Delpy, Ethan Hawke, Richard Linklater
Starring: Julie Delpy, Ethan Hawke

Perhaps one of the best sequels ever made--isn't it rare to get a sequel to a genuine, romantic film? Most of them seem to fade away into their happy endings. Before Sunrise's ambiguous ending left so much room for a follow-up, and follow up these creators did. This time actors Hawke and Delpy helped write the script (and they were Oscar-nominated for it!) and their characters Jesse and Céline meet again--somewhat by chance--in Paris.

This film happens in 'real time' - they have a 90 minute conversation as they walk through Paris, catching up. We learn that Jesse was indeed waiting for Céline in Vienna nine years ago. Céline never showed up, but there's more to it than that. Hearing the two characters catch up was fascinating as we, too, were catching up with them. They've matured, but still harbor this remembrance for that one night. It's almost as if they feel silly for holding onto this one memory from their youths, but it was just as genuine for the other.

As I am about to embark on my own trip to Paris tonight, I watched this film and still love it so much. There's much here about relationships and missed opportunities and taking chances. I've worked my own Before Sunset Tour into our itinerary in Paris--I want to meet like them at the Shakespeare & Co. bookstore and walk by the Seine and sit on a bench on the Promenade Plantee. And we shall.

The Best: The script is beautiful; it still feels like two regular people talking, but in a way that you know this is not how they talk to other people. Jesse and Céline each have their own brilliant moments (Jesse's talking about how he might break apart if someone were to touch him, Céline discussing the sad cynicism that came with getting older). I become wistful just thinking of these two and this movie and their conversation. The two ending lines are perhaps my favorite two ending lines of ANY movie. Bravo to the three writers, bravo!



Fact: It only took 15 days to film this movie.

Rating: ********** (10 out of 10)

Beginners (2011)

Dir: Mike Mills

Writer: Mike Mills

Starring: Ewan McGregor, Christopher Plummer, Mélanie Laurent

I enjoy the quietness of this film. The premise of the movie is simple: a father (Plummer) tells his son (McGregor) that he is gay after his wife dies. He's been gay his entire life. The son not only deals with learning this, but the fact that his father is sick as well. There's a bit of a love story in there, too. In this day and age where films with this kind of plot are usually filmed with the intention of reaping all the manipulative sentimentality they can, Beginners feels genuine and quiet and unassuming. It guides you through a personal story with an intimate lense.

Director Mike Mills accomplishes much with his simplicity. Aparently based on his own life and family, the movie makes my heart stir without making me squirm. Here's just a guy trying to figure it out; 'it' being life, and the guy being just like everyone else. It's sad and poignant but moving in a non-corny way (that says a lot if you know that there is a dog that McGregor talks to through the movie). It was my favorite film of 2011.

Christopher Plummer will surely go on to win an Academy Award for this; nobody else in the category holds a flame to his deep performance. I just wish it was recognized more for the great movie it is--it's just too quietly not tooting it's own horn, but for that I treasure this movie.

The Best: Christopher Plummer as Hal. I can't say more about his wonderful, admirable, and yes--quiet--performance.

Fact: Director Mills is married to writer/director/actor Miranda July in real life. Last summer she also released a film called The Future, which had a cat named Paw Paw that spoke as narrator. They both released movies with verbal pets! Beginners featured the dog Arthur's dialogue in subtitles.

Rating: ********** (10 out of 10)

Midnight in Paris (2011)

Dir: Woody Allen
Writer: Woody Allen
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Michael Sheen, Kathy Bates

I remember seeing this movie in the theater last June with my best friend Kelly and my dad. I knew hardly anything about the plot, just that the trailer showed off a great cast and there's nothing I don't love about a movie set in Paris - one of those cities I have felt romantic about all my life, despite never having traveled there. It's all the cinema's fault, really, what with Before Sunset, Moulin Rouge, Amelie, and the Godard and Truffaut and Deneuve.

There's also something about the 'oldness' of Paris. Living in the United States, there's not exactly castles and centuries-old monuments at every turn. Paris, like many parts of Europe I've seen in films, looks like it's out of another era. Which is the perfect setting for this movie.

Owen Wilson plays the screenwriter Gil Pender, who loves Paris and is trying to complete his novel. His novel, and he as a person, seem to revolve around the idea (and ideals) of nostalgia. His fiancé - played to wonderfully bitchy effect by Rachel McAdams - is not amused by Paris, nostalgia, or his attempts at being a novelist (she prefers his lucrative "hack of a screenwriter" career).

I've not been a fan of Woody Allen films for a while - their protoganists, even when not played by him, are usually just as neurotically annoying (save for Vicky Cristina Barcelona), but Wilson plays those neuroses down with his own brand of charm and wonder. I was, indeed, charmed by the whole film. Part of that was the locale, but the other part was the inspiration reverberating across the screen - the characters, the scenes, the glee in partaking of the time-travel adventure with Gil. Yes, time-travel.

To see Gil wander into the good company of the 1920s Paris literary and art scene, was at once shocking to me as someone who had no inkling of the plotline from the trailer (best trailer I've seen in a while in retrospect!) and also as someone who loves literature and art and historical inside jokes. I laughed, a lot.

The movie was wonderfully fun, and I enjoyed the overarching theme about missing the present while being stuck in the past. All of the acting was superb (from Michael Sheen's pedantic character to Alison Pill's Zelda Fitzgerald, it was a great ensemble) and the writing and directing were near perfect. One of my favorite movies of 2011, and perhaps ever.

The good news is that my husband, Jesse, has surprised me with a trip to Paris next month, which was part of the reason I re-watched this. I cannot wait to walk along the Seine like Gil, wait on those steps at the Sacre Coeur, and maybe, just once, feel like I'm in a different time.

The Best: While Wilson was a great protagonist, the real scene-stealer was Corey Stoll as Ernest Hemingway. He brought to life the giant persona and wordsmith - he spoke as he wrote, it would seem, and I loved it.

Fact: I don't always agree with film critic Roger Ebert (though I love him!), but I just wanted to share a quote from his review of this movie, which I completely agree with - "There is nothing to dislike about it. Either you connect with it or not. I'm wearying of movies that are for 'everybody' – which means, nobody in particular. Midnight in Paris is for me, in particular, and that's just fine with moi."

Rating: ********** (10 out of 10)